4 for Flute & Guitar, › Romanian Folk Dance No. Johann Sebastian Bach was a German composer of the Baroque period. Christmas Oratorio, BWV 248. 5 in D Major for Flute & Piano, › Brandenburg Concerto No. Bach Christmas Oratorio BWV 248 (Novello edition ed. dich loben wir" for Wind Quintet, › Prelude: "Kyrie, Gott heiliger Geist" for Woodwind Quintet, › Prelude: "Liebster Jesu, wir sind hier" for Flute, Oboe & Bass, › Prelude: "Vater unser im Himmelreich" for Flute & Strings, › Prelude: "Vater unser im Himmelreich" for Recorder & Strings, › Prelude: "Vater unser im Himmelreich" for Woodwind Quartet, › Prelude: "Vom Himmel hoch da komm'ich her" for Flute & Strings, › Prelude: "Wenn wir in höchsten Nöten sein" for Piccolo & Strings, › Prelude: "Wir glauben all' an einen Gott" for Woodwind Quartet, › Preludium in Bb Major for Flute & Strings, › Presto from 30 Progressive Etudes for Flute Trio, › Presto from Sonata in G for Flute & Viola, › Presto from the Sonata in G for Flute & Horn, › Psalm 96: "Chantez a Dieu" for Woodwind Quintet, › Quartet in B Minor for Woodwind Quartet, › Recitative & Aria: "Vergiß es ferner nicht, mit deiner Hand" for Horn, Flute & Cello, › Recitative & Chorale: "Was frag ich nach der Welt" for Wind Quintet, › Recitative & Chorale: "Wie schwerlich läßt sich Fleisch und Blut" for Woodwind Quintet, › Recitative & Chorus: "As from the power of sacred lays" for Small Orchestra, › Recitative & Chorus: "Da nahmen die Kriegsknechte" for Winds & Strings, › Recitative & Chorus: "Der du den Tempel Gottes zerbrichst" for Winds & Strings, › Recitative & Chorus: "Laß ihn kreuzigen!" 3 in G Minor for Pipe Organ, › Sonata I in C Major from "Erster Theil Zwey-stimmiger Sonaten und Suiten" for Organ, › Sonata VI in D Major from "Erster Theil Zwey-stimmiger Sonaten und Suiten" for Organ, › The Goldberg Variations (BWV 988) for Organ, › Toccata, Adagio & Fugue in C Major for Pipe Organ, › Variation on "Allein Gott in der Höh sei Ehr" for Pipe Organ, › Waltz from Six variations on BACH for Pipe Organ. 1 Octave. for Winds & Strings, › Recitative & Chorus: "Mein Gott, hier wird mein Herze sein" for Winds & Strings, › Recitative & Chorus: "Mein Jesu, gute Nacht!" “Triumph, rejoice!” – Bach’s oratrio of hope and renewal. 6 in D Major for Winds & Strings, › Sonata Sesta Decima à 6 for Winds & Strings, › Sonata V in G Major for Flute & Strings, › Sonata V in G Minor from 6 Flute Sonatas for Flute & Strings, › Sonata VI in C Major for Flute & Strings, › Sonata VI in D Major from 6 Flute Sonatas for Flute & Strings, › Sonata VII in A Major for Flute & Strings, › Sonata VIII in A Major for Flute & Strings, › Sonata X in D Major for Flute & Strings, › Sonata XI in C Minor for Flute & Strings, › Sonata XII in G Major (Partial) for Flute & Strings, › Sonata: "Der Himmel lacht! Bach composed his Christmas Oratorio for the Christmas season from Christmas Day on 25 December 1734 to Epiphany on 6 January 1735. Review of Dunedin Consort's CD recording of J.S. John Butt applies his extensive knowledge of Bach’s performing practices to present the range of choral scoring that Bach seems to have used in the Christmas Oratorio, realizing something of the implications of the composer’s performing conditions and decisions. Mastered from original tapes and pressed on 180g vinyl Includes artist photos and liner notes in English and German. Bach, Johann Sebastian Wind quartet 5 PDF / 2 MP3 Interpreted / Intermediate (1) Adaptator : Magatagan, Mike. Title The Word was made flesh Composer Stenov, Michael: Opus/Catalogue Number Op./Cat. 10) for Flute & Piano, › "Meditation" from the Opera "Thaïs" by Jules Massenet, › "Meeting of the Waters" for Harp, Flute & Oboe, › "Mein himmlischer Vater" for Woodwind Quintet, › "Meine Seele hört im Sehen" for Flute, Oboe & Harpsichord, › "Mentr'io Godo in Dolce Oblio" for Flute & Harp, › "Mijn hert heeft altijts verlanghen" for Woodwind Quartet, › "Miniature Overture" from the Nutcracker Suite for Small Orchestra, › "Miserere Mei, Deus" for Woodwind Quintet, › "Miserere" for Woodwinds, Strings & Piano, › "Miss Fogarty's Christmas Cake" for Flute & Harp, › "Miss MacDermott" for Flute, Oboe & Harp, › "Miss Mulligan's Home Made Pie" for Flute & Piano, › "Missa Alma redemptoris" for Winds & Strings, › "Missa Ascendens Christus" for Woodwind Quintet, › "Missa Ave maris stella" for Woodwind Quartet, › "Missa Brevis" (BuxWV 114) For Woodwind Quintet, › "Missa Choralis" in D Minor for Winds & Strings, › "Missa De Beata Maria" for Wind Quintet, › "Missa Dum complerentur" for Winds & Strings, › "Missa Laetatus sum" for Winds & Strings, › "Missa O quam gloriosum" for Woodwind Quartet, › "Missa Papae Marcelli" for Wind Ensemble, › "Missa Pro Victoria" for Winds & Strings, › "Missa Quam pulchri sunt" for Woodwind Quartet, › "Missa Quarti toni" for Woodwind Quartet, › "Missa Sancti Gabrielis" for Small Orchestra, › "Missa sine nomine" for Winds & Strings, › "Missa Solemnis" in F Major for Winds & Strings, › "Molto Allegro e Vivace" from "Lieder ohne Worte" for Wind Sextet, › "Morning Has Broken" for Woodwind Sextet, › "Morning Mood" from Peer Gynt for Small Orchestra, › "Morte! Bach performance with extra trumpet and timpani parts in 1750. Bach - Christmas Oratorio Written in 1734, J. S. Bach's popular Christmas work is one of the choral masterpieces of the Baroque era - but the great composer took all of its tunes from other works. 8 No. Following the huge success of 2015's Magnificat & Christmas Cantata, Dunedin Consort releases its eagerly awaited follow up, Bach's Christmas Oratorio. Author: Johann Sebastian Bach Publisher: ISBN: Size: 66.79 MB Format: PDF, ePub, Mobi View: 4878 Get Books. Bach - Christmas Oratorio Written in 1734, J. S. Bach's popular Christmas work is one of the choral masterpieces of the Baroque era - but the great composer took all of its tunes from other works. 1 in C Major for Winds & Strings, › Orchestral Suite No. Details. Recorded live in Grieghallen on 19 December 2018. It consists of six cantatas that between them tell the story of the Nativity, and the events of the following week or so. 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Herrscher des Himmels, erhöre das Lallen der sanften Flöten Chor" for Flute & Strings, › Aria: "Hört doch! oratorio by Johann Sebastian Bach. 3) for Flute & Strings, › "Now let us go and bid the morning" for Flute Trio, › "Now pray we all God, the Comforter" (BuxWV 209) For Woodwind Quartet, › "Nulla in Mundo, Pax Sincera" for Woodwind Quintet, › "Nun komm' der Heiden Heiland" for Flute & Harpsichord, › "O come let us sing unto the Lord" from Chandos Anthem No. influenced oratorio writing4) to create a new type of oratorio in the early 18th century that integrated operatic style with Biblical narrative. and participate in the Free-scores.com community, Chorus: "Wie soll ich dich empfangen" for Organ, › Trumpet and String Quartet (2 Violins, 1 Viola, 1 Cello) (1), › Brass Quintet : 2 Trumpets, 1 Horn, 1 Trombone, 1 Tuba (1), › String Quintet : 2 Violins, 2 Violas, Cello (1), › Woodwind quintet : Flute, Clarinet, Oboe, Horn, Bassoon (1), › Quartet: oboe, violin, viola, cello (1), › Keyboard (piano, harpsichord or organ) (1), › "As Jesus Christ in the Night" for Pipe Organ, › "Aus tiefer Not schrei ich zu dir" for Pipe Organ, › "Ave Verum Corpus" for Violin, Viola & Organ, › "Canon" from Lyric Pieces for Pipe Organ, › "Christ lag in Todesbanden" for Pipe Organ, › "Come, Sweet Death, Come Blessed Rest" for Organ and Choir, › "Cyprès" from "Cyprès et Lauriers " for Organ, › "Death of Åse" from Peer Gynt For Pipe Organ, › "Der große Tag des Herren" for Pipe Organ, › "Der Heilig Geist vom Himmel kam" for Pipe Organ, › "Fantasie" No.1 in E flat Major for Grand Organ, › "Freu dich, du werte Christenheit" for Pipe Organ, › "Freuet euch, ihr Christen alle!" 3 for Flute & Cello, › Brandenburg Concerto No Archivos Fuente —! 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